August
3, 2007
This
man's still playin'
Lennie Gallant, with opening act Chiquésa, delights
a packed house at St. Augustine Church
TODD MACLEAN
The Guardian
Lennie
Gallant, playing his traditional mid-summer show for the hometown
crowd at St. Augustine Church in South Rustico — it’s
an adored local event that has been going on so long now, many
Rustico teenagers can’t remember it ever not being a part
of the summer.
Sold
out days in advance,...featuring Gallant with opening act Chiquésa,
was as great a success as ever this past Sunday evening as a
crowd of several hundred filed into pews, piling in right to
the rafters.
Before
the hometown hero took the stage, the evening of music began
with a contemporary Acadian ensemble that has been making a
lot of waves on the regional music scene over the past couple
of years: Chiquésa.
The
sun had just set in a pink and orange haze beyond Rustico fields,
when it was time for Gallant to take the stage in his family’s
church atop the South Rustico hill.
“And
now, what you’ve all been waiting for,” said the
president of le Conseil Acadien de Rustico and emcee of the
night, Michelle Pineau. “It is a tremendous pleasure to
present to you award-winning singer-songwriter and Rustico’s
own, Monsieur Lennie Gallant!”
Uproarious
applause welcomed the smiling songster as he entered, guitar
in hand, flanked by his two reliable sidemen, Sean Kemp on violin
and Jamie Alcorn on guitar.
“Well,
we’ve got time for one song,” he said, after the
lengthy and complimentary introduction, as the audience laughed.
“This
song was written right down by the bay down there,” he
added, as began strumming his way into the first number of the
night, Seven Years.
In
a full and captivating sound (enhanced by the church’s
fabulous acoustics), Gallant and his two accompanists wowed
the audience from that first chord onward and took them to a
place they didn’t want to leave, song and song again,
for the next hour and a half.
On
a beautifully-lit stage, amid leafy trees laced with white lights
and white candles a-glow, they filled the evening with Gallant
hits, like Peter’s Dream, Pieces of You, La Valse des
Vagues, Which Way Does the River Run and Going Back to Rustico,
while folded program fans fluttered throughout the pews all
night long, waving as if dancing in constant time to the music.
What
felt like 35 degree heat (or even 40 degrees in the balcony)
though, was not going to stand in the way of the crowd’s
enjoyment of the night. And it soon became clear that the church
could very well have begun to burst into flames and the dedicated
and delighted audience would not have budged their bums from
the benches.
Gallant’s
voice sounded as impeccable as ever and, with some incredible
flourish violin playing from Kemp and superb guitar leads from
Alcorn, I thought the caliber of performance was unquestionably
world class — the kind of thing where you know the regulars
can only say, “It just gets better every year.”
I
took a step outside at one point to get some air and was greeted
by the sight of a whole other group of audience members sitting
in lawn chairs outside the church door, swatting mosquitoes
as they savoured the music.
An
almost-full moon lit up the night as it reflected off the river
and I listened to the music outside the church.
“Man,
this guy’s got a lot of hits,” is all I could declare
as he then tore into The Band’s Still Playing, and I came
back in to catch the last of his performance.
An
immediate standing ovation brought him back to play three more
fantastic songs, including When I Build My Boat and Only Love,
as an encore to bring a finale to the all-out rumbling Rustico
rendez-vous that it was.
Check
out www.lenniegallant.com
for all the info on the man, the artist, the pride of P.E.I.,
Monsieur Lennie Gallant. And, if you didn’t get to the
show this year, then remember: book your tickets early for next
year.
And
bring a fan.