Thursday,
September 15, 2005, The Halifax Herald Limited
Gallant finds spiritual direction When We Get There
By STEPHEN COOKE Entertainment Reporter
On
the title track to his new CD, When We Get There, singer-songwriter
Lennie Gallant is talking of spiritual destinations more than physical
or geographical ones, but it's certainly been a season of arrivals
(and, of course, departures). With a summer of festivals and concerts,
and days in between spent finishing the album--his first all-new
English studio record in seven years--September and the CD's release
seem to have crept up on the Halifax-based P.E.I. native.
"When
you're performing and traveling, the days just vanish," muses
Gallant, gazing out the window of Cafe Vienna on a greyish morning.
Tonight,
Gallant performs at the Atlantic Film Festival's IFC Opening Gala,
an outdoor bash being held on Argyle Street from 9 p.m. to 1 a.m.
Tickets are $20 each at the IFC Film Festival box office, the Zip.ca
online box office, or the ticket hotline 422-6965.
Not
having talked to Gallant since his performance at last summer's
Congres mondial acadien, there's a lot of catching up to do, and
there's talk of making the new album, performing his own Mademoiselle
Voulez-Vous Dancer with Jimmy Buffett in front of 16,000 parrotheads
in Toronto in June, and the joys of fatherhood with daughter Amelie
approaching two-years-old. But the initial topic is the same one
that everyone seems to be discussing, the destruction of hurricane
Katrina and its devastating effect on Louisiana.
Gallant
remembers performing at a festival in Lafayette this past April,
feeling the connection between Acadian and Cajun cultures and being
welcomed there like a long lost family member.
"I
was blown away by the way the festival took over the whole city,
with huge stages and bands from all over the world; French bands,
Acadian bands, Cajun bands," he says. "Everybody was so
into it and so friendly. I don't think I've ever been treated with
such absolute kindness as I have by the people down there.
Storms
are a recurring theme in Gallant's work, the force of nature finding
a mirror with internal emotional turbulence, and When We Get There
kicks off with The Gypsy Wind, written after sailing from Mahone
Bay to the Caribbean with distant relative Tom Gallant on the schooner
Avenger.
Originally
recorded in French as the title track for the CD Le Vent Boheme,
Gallant make an English version because thought it deserved to be
heard by a wider audience, and to further preserve that memory of
being far out at sea, where the crossing winds made the sound of
an unearthly choir.
"I
loved being there, it was kind of scary, we broke a mast in a gale,"
he recalls. "When we hit the Gulf Stream, the boat was like
it was being sloshed around in a teapot, you had to hold on with
both hands all the time for about a day-and-a-half. Rocking and
rolling like crazy, if you let go at the wrong time you could snap
both your arms easily.
"But
after all that time being focused on what was going on in the boat,
I came home with my mind clear, and I started knocking off a song
a day, sometimes two. I couldn't believe it."
Gallant
treasures his relationship with the muse, and never fails to be
amazed at how a song can come from a story told over a drink with
a friend, like the ode to inspiration, There Must Be Another Song,
or simply looking at his daughter and summoning the record's first
single, I Want to Save the World for You.
But
even with seven years between English studio albums, time had its
way of playing tricks, like when Gallant became double booked with
studio time clashing with a prestigious show at New York City's
Knitting Factory. In a variation of the CD's title, he handled it
while he got there.
"So
imagine driving this van through New York rush hour traffic, trying
to get to the venue, and discussing mixing and mastering on the
phone, well it was insane. It's not the way you want to be driving
through downtown New York."
Thankfully,
when Gallant performs tonight on Argyle Street, it will be blocked
to traffic.
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